Michael Keaton Forever: Birdman, Reviewed

Birdman doesn't have any right being as fantastic as it is. Structured around a gimmick—the whole movie is meant to look like one continuous shot—and featuring a potentially eye-rolling plot device (a has-been actor's personal and professional life comes crashing down on him in the days before his theoretical… » 10/15/14 4:14pm 10/15/14 4:14pm

Bill Murray's Memes Now Outshine His Movies, And St. Vincent Won't Help

What was the last great Bill Murray performance? Maybe Broken Flowers from 2005? Lost in Translation from 2003? Nowadays, some of his best work—or at least the work that gets the most attention—is nowhere near the big screen. He shows up at bachelor parties. He crashes regular folks' engagement photos. He whips… » 10/14/14 10:25am 10/14/14 10:25am

Love, Actually: David Fincher's Dark, Thrilling Gone Girl, Reviewed

In early 2011, when David Fincher was getting ready to shoot The Girl With the Dragon Tattoo while in the midst of Oscars promotion for The Social Network, the director made a revealing comment about how he separates his work into two categories: "movies" and "films." To his mind, Fight Club and Zodiac were… » 9/29/14 3:00pm 9/29/14 3:00pm

André 3000 Channels Hendrix, Finds Himself In Jimi: All Is By My Side

In the early 2000s, OutKast seemed poised for world-conquering superstardom. But flush with the success of 1998's Aquemini and 2000's Stankonia (and hit singles like "Rosa Parks" and "Ms. Jackson"), the Atlanta hip-hop duo of André 3000 and Big Boi fractured instead. When the double-solo-album package … » 9/25/14 10:55am 9/25/14 10:55am

Family Futile: This Is Where I Leave You, Reviewed

This Is Where I Leave You feels like a social experiment in how much slack we're willing to cut a movie filled with actors we like. There's nothing particularly new or interesting in this umpteenth story about a family coming together after the death of one of their own, and yet the collective goodwill accrued by … » 9/17/14 1:30pm 9/17/14 1:30pm

Toronto Film Festival 2014: 10 Movies We Can't Wait To See

The Toronto Film Festival, which starts Thursday, is always excellent one-stop shopping for many of the major films hoping to crash the Oscar and best-of-the-year conversations. Beyond the world premieres, it also features the best of what played at Cannes, as well as plenty of films that already screened at the… » 9/03/14 3:27pm 9/03/14 3:27pm

The Perfect Imperfect Couple: Love Is Strange, Reviewed

Leo Tolstoy's line "Happy families are all alike; every unhappy family is unhappy in its own way" could be applied to romantic relationships as well—especially if you're not in a good one. From the outside, a happy marriage can look like an aberration, a fluke, or just dumb luck. Because so much of fiction is… » 8/19/14 2:33pm 8/19/14 2:33pm

Perfectly Imperfect: Saying Goodbye To Robin Williams

One of the dumbest things the public does is think it "knows" celebrities. Those people we see on our TV or on a movie screen, because they come into our lives and make us laugh and cry—we believe we have some sort of special connection, not to the characters they play, but to the actors themselves. This is what… » 8/12/14 10:43am 8/12/14 10:43am

Nothing Up Woody Allen's Sleeve: Magic In The Moonlight, Reviewed

Magic in the Moonlight is the sort of Woody Allen movie that longtime fans have trouble defending, not because it's terrible or lazy—it's neither—but because it's so painfully familiar. Likeable and completely disposable, his new comedy has its chuckles, but as he gets closer to the 50-feature mark, this joins his… » 7/23/14 10:55am 7/23/14 10:55am

Big, Dumb, Unsexy: Sex Tape, Reviewed

Sex Tape is such a dumb movie that it's hard to know where to start. So let's try this: Its premise is total nonsense. Married-with-kids couple Jay (Jason Segel) and Annie (Cameron Diaz) decide to spice up their inert love life by filming themselves with Jay's iPad doing every position mentioned in The Joy of Sex.… » 7/16/14 1:19pm 7/16/14 1:19pm

Great Ape: Dawn Of The Planet Of The Apes, Reviewed

Three years ago, expectations for Rise of the Planet of the Apes were understandably low. The director (Rupert Wyatt) wasn't well-known, a lot of people despised the film's star (James Franco) for his Renaissance Man routine, and we all remembered how terrible Tim Burton's 2001 Planet of the Apes reboot was. Plus,… » 7/10/14 12:31pm 7/10/14 12:31pm

Saying Goodbye To Roger Ebert: Life Itself, Reviewed

When Roger Ebert died on April 4, 2013, it felt like a death in the family, not only because I'm a film critic, but because he and Gene Siskel are a huge part of the reason why. The different incarnations of their Siskel & Ebert show were instrumental in my upbringing, driving home the idea that movies weren't just… » 6/30/14 4:03pm 6/30/14 4:03pm

Auto-Chaotic. Transformers: Age of Extinction, Reviewed.

Age of Extinction is the best of the Transformers movies. That's not saying much: The other films in the series were all pretty bad, and this one is no good, either. But for an hour or so, director Michael Bay does what he does as well as he's done it for quite some time. Perpetually juvenile he may be, but god… » 6/27/14 10:10am 6/27/14 10:10am

Double Dragon: How To Train Your Dragon 2, Reviewed

Celebrating its 20th anniversary this year, DreamWorks Animation has enjoyed plenty of commercial and critical success, winning two animation Oscars and earning almost $11.6 billion worldwide. And yet, the company remains in the shadow of Pixar, which in about the same amount of time has won seven animation Oscars… » 6/10/14 1:03pm 6/10/14 1:03pm

Emotional Assault: The Fault In Our Stars, Reviewed.

The Fault in Our Stars is designed as counterprogramming for audiences who don't care about big summer action movies, but in its own way, this tear-jerking YA romantic drama is as epic and overstuffed as any CGI blockbuster. Instead of explosions and chase sequences, you get emotional epiphanies and… » 6/04/14 2:48pm 6/04/14 2:48pm

Night Moves and Personal Apocalypses: The Films Of Kelly Reichardt

None of director Kelly Reichardt's films has made over $1 million at the box office. That seems about right. It's not that her superb dramas don't deserve a bigger audience. But because they're so intimate, so understated, they feel like secrets: the cinematic equivalent of the bootlegs die-hard Dylan or Dead fans… » 5/29/14 2:50pm 5/29/14 2:50pm